May 16 | Public Program: Printers' Proof

As part of the public programming for Pulled In Brooklyn, we hosted a panel with Glen Baldridge of Forth Estate, Luther Davis of Powerhouse Arts Printshop, Ruth Lingen of Line Press Limited, and Brad Ewing of Marginal Editions discussing the community of Brooklyn printers, as well as their own histories and recent projects.

Butt Johnson.   Slam Dunk ‘87,  2007. Hotstamp foil and enamel screenprint on museum board. Sheet: 15 1/2 x 18 inches. Printed by Luther Davis, Axelle Editions; published by Forth Estate Editions. Edition: 30. Courtesy the artist. © 2019 Butt Johnson

Butt Johnson. Slam Dunk ‘87, 2007. Hotstamp foil and enamel screenprint on museum board. Sheet: 15 1/2 x 18 inches. Printed by Luther Davis, Axelle Editions; published by Forth Estate Editions. Edition: 30. Courtesy the artist. © 2019 Butt Johnson

Florian Meisenberg .  I Don't Think You Have a Very Good Voice, but You Are a Singer! How Do You Do That?,  2013. Silkscreen, airbrush, acrylic with hand additions. Sheet: 14 x 21 inches. Printed and published by Brad Ewing, Marginal Editions. Edition: Unique, series of 10. Courtesy Marginal Editions. Photo Credit: Marginal Editions. © 2019 Florian Meisenberg

Florian Meisenberg. I Don't Think You Have a Very Good Voice, but You Are a Singer! How Do You Do That?, 2013. Silkscreen, airbrush, acrylic with hand additions. Sheet: 14 x 21 inches. Printed and published by Brad Ewing, Marginal Editions. Edition: Unique, series of 10. Courtesy Marginal Editions. Photo Credit: Marginal Editions. © 2019 Florian Meisenberg

Alex Dodge.   El Norte (Fantasma) , 2017. Screenprint on Davey binder’s board. Sheet: 20 x 30 inches. Printed by Luther Davis, BRT Printshop; published Joseph Editions, Columbus, Ohio. Edition: 30. Courtesy BRT Printshop/Powerhouse Arts Printshop. © 2019 Alex Dodge

Alex Dodge. El Norte (Fantasma), 2017. Screenprint on Davey binder’s board. Sheet: 20 x 30 inches. Printed by Luther Davis, BRT Printshop; published Joseph Editions, Columbus, Ohio. Edition: 30. Courtesy BRT Printshop/Powerhouse Arts Printshop. © 2019 Alex Dodge

Matthew Day Jackson.   Solipsist , 2019. Lithograph and engraving on pigmented stenciled handmade paper. Sheet: 17 1/2 x 11 3/4 inches. Printed by Ruth Lingen, Nina Dine, Mackenzie Kimler; published by Line Press Limited. Edition: 20. Collection of Roger Kass. © 2019 Matthew Day Jackson

Matthew Day Jackson. Solipsist, 2019. Lithograph and engraving on pigmented stenciled handmade paper. Sheet: 17 1/2 x 11 3/4 inches. Printed by Ruth Lingen, Nina Dine, Mackenzie Kimler; published by Line Press Limited. Edition: 20. Collection of Roger Kass. © 2019 Matthew Day Jackson

May 2 | Public Program: The Collaborative Process: Artist & Printer, Part 2

As part of the public programming for our Spring 2019 exhibition Pulled In Brooklyn, IPCNY hosted a panel with artist Carrie Moyer and Marina Ancona of 10 Grand Press, and artist Joanne Greenbaum and Jennifer Melby of Jennifer Melby Editions. The conversation was moderated by IPCNY’s Director, Judy Hecker. This was the second in a series of two conversations exploring how the relationship between artist and printer informs the process of making a print from start to finish. Read more about the exhibition, open through June 15, here.

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Carrie Moyer.   Untitled (III) , 2014. Monotype with chine-collé. Sheet: 29 x 21 inches. Printed and published by Marina Ancona, 10 Grand Press. Edition: Unique, series of 15. Courtesy the artist and 10 Grand Press. Photo Credit: 10 Grand Press. © 2019 Carrie Moyer

Carrie Moyer. Untitled (III), 2014. Monotype with chine-collé. Sheet: 29 x 21 inches. Printed and published by Marina Ancona, 10 Grand Press. Edition: Unique, series of 15. Courtesy the artist and 10 Grand Press. Photo Credit: 10 Grand Press. © 2019 Carrie Moyer

Joanne Greenbaum.   Untitled , 2018. Soft ground, sugar lift aquatint, and aquatint. Sheet: 22 1/2 x 17 1/2 inches. Printed by Jennifer Melby, Jennifer Melby Editions; published by Jennifer Melby Editions and Edition Linn, Heidelberg, Germany. Edition: 14. Courtesy Jennifer Melby Editions. © 2019 Joanne Greenbaum

Joanne Greenbaum. Untitled, 2018. Soft ground, sugar lift aquatint, and aquatint. Sheet: 22 1/2 x 17 1/2 inches. Printed by Jennifer Melby, Jennifer Melby Editions; published by Jennifer Melby Editions and Edition Linn, Heidelberg, Germany. Edition: 14. Courtesy Jennifer Melby Editions. © 2019 Joanne Greenbaum

April 23 | Public Program: The Collaborative Process: Artist & Printer, Part 1

As part of the public programming for our Spring 2019 exhibition Pulled In Brooklyn, IPCNY hosted a panel with artist Dana Schutz and Rob Swainston of Prints of Darkness, and artist Jacqueline Humphries and Andrew Mockler of Jungle Press Editions. The conversation was moderated by the exhibition’s co-curator, Samantha Rippner. This was the first in a series of two conversations exploring how the relationship between artist and printer informs the process of making a print from start to finish. Read more about the exhibition, open through June 15, here.

 
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Dana Schutz.   Back Surgery In Bed,  2015. Woodcut. Sheet: 28 1/4 x 20 3/4 inches. Printed by Rob Swainston, Prints of Darkness; published by Kestnergesellschaft, Hannover, Germany. Edition: 50. Courtesy Rob Swainston and Prints of Darkness. © 2019 Dana Schutz

Dana Schutz. Back Surgery In Bed, 2015. Woodcut. Sheet: 28 1/4 x 20 3/4 inches. Printed by Rob Swainston, Prints of Darkness; published by Kestnergesellschaft, Hannover, Germany. Edition: 50. Courtesy Rob Swainston and Prints of Darkness. © 2019 Dana Schutz

Jacqueline Humphries .  Untitled , 2013. Woodcut. Sheet: 36 1/2 x 37 inches. Printed and published by Andrew Mockler, Jungle Press Editions. Edition: Unique. Courtesy Andrew Mockler, Jungle Press Editions. © 2019 Jacqueline Humphries

Jacqueline Humphries. Untitled, 2013. Woodcut. Sheet: 36 1/2 x 37 inches. Printed and published by Andrew Mockler, Jungle Press Editions. Edition: Unique. Courtesy Andrew Mockler, Jungle Press Editions. © 2019 Jacqueline Humphries

April 11 | Public Program: Build Your Own Printshop at Pratt Institute

As part of the public programming for our Spring 2019 exhibition Pulled In Brooklyn, IPCNY hosted a panel with Leslie Diuguid of Du-Good Press, Mark Herschede of Haven Press, Anna Hoberman of Afternoon Editions, and Erik Hougen of Lower East Side Printshop. Moderated by artist, Adjunct Associate Professor of Fine Arts, and organizer of Pratt Institute Editions Grayson Cox. This conversation explored how printmakers continue their practice after leaving their school's facilities, how to establish a printshop, and other avenues for working in the field. Read more about the exhibition, open through June 15, here.

April 4 | Opening Reception | Pulled in Brooklyn

Check out pictures from the opening reception of Pulled In Brooklyn, on view at IPCNY from April 4–June 15, 2019. Be sure to stop by the gallery Tuesday–Saturday, 11am–6pm. Many thanks to Kayrock Screenprinting for live printing and Brooklyn Brewery for beer! All photos courtesy of Elisabeth Berezansky for IPCNY.