October 26th 2017 - February 10th 2018

The Galerie St. Etienne is currently exhibiting 'All Good Art is Political' the show titled after a quote from Toni Morrison, displays prints and drawings by Kollwitz, a German social realist who died in 1945, and Coe, an English antiwar, anti-capitalist, and pro-animal-rights illustrator who lives in upstate New York.



January 5 – February 24, 2018

195 Chrystie Street New York, NY 10002

Van Doren Waxter is pleased to present a special group exhibition featuring the work of American artist Alan Shields (1944 – 2005) in conversation with contemporary artists. Alan Shields Project will include unique works on paper, edition multiples, un-stretched canvases, and monoprints by Aiko Hachisuka alongside recent work by Alvarado, Donegan, Shields, Hansen, Hiro, Tuttle and Wurtz.  


Pace Prints | Project Room: Kelsey Brookes

November 3, 2017 - December 16, 2017

Pace Prints, 521 West 26th Street, 3rd Floor
New York, NY 10001, United States +Google Maps

Pace Prints is pleased to announce the release of their first editions and monoprints with painter and former microbiologist Kelsey Brookes. A selection of the prints will be on view in our Project Room through December.

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Manhattan Graphics Center | 3rd New York International Miniature Print Exhibition

October 28th, 2017 - November 28 2017 

Manhattan Graphics Center, 250 West 40 Street, 5th Floor
New York, NY 10018 United States +Google Map

The Manhattan Graphics Center (MGC) announces its 3rd juried competition and exhibition devoted to miniature prints. Last year, 222 artists from over 30 countries submitted work to this exhibition, bringing together a diverse representation of the print world today.

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Pace Prints | Sol LeWitt

October 27, 2017 - December 2, 2017

Pace Prints, 521 West 26th Street, 3rd Floor
New York, NY 10001, United States +Google Map

This exhibition highlights a variety of works from the artist’s print œuvre, spanning from the 1980s to early 2000s. Prominently featured is Horizontal Color Bands and Vertical Color Bands, a set of seven etchings with aquatint. Here, LeWitt uses the inherent quality of the aquatint medium to showcase the vibrant palette produced by overlapping “2 and 3 part combinations“ of primary colors and gray. A pioneer of conceptual art, LeWitt helped to transform the definition of contemporary art in the 1960s with his statement that “the idea becomes a machine that makes the art.” Reducing form down to its essential, the cube became the base unit for LeWitt’s artistic inquiry.

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National Museum of the American Indian | Akunnittinni: A Kinngait Family Portrait

June 10, 2017 @ 10:00 am - January 8, 2018 @ 5:00 pm

National Museum of the American Indian, Alexander Hamilton U.S. Custom House, One Bowling Green
New York, NY 10004 United States+ Google Map

Loosely translated, the Inuktitut word akunnittinni means “between us.” This exhibition chronicles a visual conversation between an Inuk grandmother, mother, and daughter: Pitseolak Ashoona (1904–1983), Napachie Pootoogook (1938–2002), and Annie Pootoogook (1969–2016). Their artworks provide a personal and cultural history of three generations of Inuit women whose art practices included autobiographical narratives and chronicled intimate and sometimes harsh memories and historically resonant moments. The prints and drawings on view also include sardonic references to pop culture, which now infuses everyday…

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Schomburg Center for Research in Black Culture | Power in Print

May 18 @ 10:00 am - December 30 @ 6:00 pm

Schomburg Center for Research in Black Culture, 515 Malcolm X Boulevard
New York, NY 10037 

Power in Print explores the art of the Black Power movement poster, showcasing a variety of aesthetics, styles, and messaging strategies. This collection-based exhibition pulls together dozens of posters from the Schomburg Center’s Art and Artifacts Division. The display also includes a selection of iconic imagery by artist, designer, and former Minister of Culture of the Black Panther Party, Emory Douglas. Both at the time and in our historical memory, Douglas’s designs came to visually communicate the ideals of Black…

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