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Browse work from past exhibitions and donated prints below. Proceeds benefit IPCNY's exhibitions and programming, and are shared with the artists.

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Fulvio Tomasi, "Erosion"

Fulvio Tomasi, "Erosion"

425.00

Fulvio Tomasi
Erosion, 2006
Etching. Edition: 15
22 2/3 x 30 1/2 inches

Print is unframed

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There are no refunds unless in the case of damage during shipment. Condition is "as is" and buyers may request a condition report prior to purchase. Refunds in the case of damage will be made in the same format as payment. There are absolutely no refunds after 30 days of receipt of work(s).

Cameron York's (@cammyyork) 'Your Tall Tales and My Soft Spots 2' holds an abstraction of the unfortunate but all too true realities of gun violence in America, bound in an unexpected neon color palette. Swipe 👈 for some details.
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'Umbra: New Prints for a Dark Age' juried by @alison_saar is on view through next Saturday, September 28. Come see it before it closes!
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York on her work: "The piece ’Your Tall Tales and My Soft Spots 2’ is an examination of frustrations I have felt surrounding gun laws, policing of women's bodies, and false hope. I made this piece after living in the midwest for some time, and after living with a good friend who experienced gun violence first hand. That time and space seemed to be a pressure cooker for heated political discussions, and I spent a lot of time wondering how art can become involved in politics. I am still mulling that over, actually."
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Image: Cameron York. 'Your Tall Tales and My Soft Spots 2,' 2018. Intaglio and mixed media. Sheet: 22 x 30 inches. Printed and published by the artist. Edition: 3, variable. #umbraIPCNY #newprints #ipcny

Did you know that you could take Bozica Radjenovic's work for a spin? 🌀 The frame, built by Central Art Garage (@centralartgarage) rotates, allowing you to see her woodcut 'Mother of Four' from all angles. Thanks to our star intern @melaniemcc5 for demonstrating! Swipe 👈 for more details. #newprints #umbraIPCNY

@bozica_radjenovic on the color red in her work: "My artworks are mostly red. Red is the first colour we see when we are born. When we close our eyes, we see red. To me, red is the most important colour. When I draw with red ink instead of black, the lines are like blood puddles, the lines are personal and honest. Red is a colour in the first person singular. Red is an “I” colour. You cannot be indifferent in front of red; it arouses passion and its ambivalent nature causes hesitation."
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Image: Bozica Radjenovic. 'Mother of Four,' 2018. Woodcut on fabric. Sheet: 29 1/2 x 18 1/4 inches. Printed and published by the artist. Edition: 5.

The call is open for #NewPrints 2020/Winter! Printmakers and publishers, emerging and established, national and international, are invited to apply with prints they've made in the past twelve months. Submissions will be juried by Ariana Barat (@ariana.barat), artist, activist, and Printmaking Facilities Manager at Parsons School of Design; Gregory Burnet (@burneteditions), artist, Master Printer, and Owner of Burnet Editions, New York; Orit Mardkha-Tenzer (@10zeroart), artist, graphic designer, and instructor of graphic design at City College of New York; and Keris Salmon (@kerissalmon), visual artist and storyteller.

Visit the link in our bio to apply. The deadline is Wednesday, November 6, 11:59 PM EST.

Image: Maria de Los Angeles (@delosangelesart) speaking about her work as part of 'Umbra: New Prints for a Dark Age.' #umbraIPCNY

#printmaking #printopencall #printmakingcall #emergingartists #IPCNY #internationalprintcenternewyork #internationalprintcenter

#NewPrints artist Ella Weber (@ellapweber) on her work:
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"I intentionally maintain menial jobs, unrelated to the arts, as a means to fuel my practice. Through video, image, text, and the labor of an 8-hour shift, my work draws connections between consumption, the body, sexuality and spirituality. Residing in fly-over country, I sleep in my parent’s suburban basement and slice meat in a deli. The deli acts as extension of my studio and a tool to reduce the gap between artists and non-artists alike. How do we embrace our differences and share our sameness?
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"My environment consists of beer, sports, La-Z-Boy chairs, strip malls, faith, family and friends. Live, Laugh, Love. Likewise, A helpful Smile in Every Aisle is the deli's mantra. Corporate displays our smile scores weekly. Unfortunately, I received a record low secret-shopper score for not smiling. Since the incident, I practice smiling during lunch breaks with bathroom selfies from above. I bring ham into the bathroom and cover my face with a slice. Who ham I? What ham I? Where ham I? When break is over, I peel the mask off my skin, swallow and spread my smile in the mirror. Returning to the slicer on loop, agreeability reigns in ASMR whispers. 'Hello, welcome. Hi, How are you?' 'I'm good.' on repeat. The slicer spins me round a cyclical pursuit of happiness. My boss tells me 'good girl'. I stare at the clock. Ma’am, I demand more ham! Ma’am can you slice my ham? The skies are blue; the grass is green, yet I'm left with a desire to pull myself out of the vinyl siding of sameness. Sure it is nice, but is it good? Is there more? What comes after lunch?"
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Image: Ella Weber. 'My Lazy Boy is Pink,' 2018. Screenprint and spray paint. Sheet: 26 x 20 inches. Printed and published by the artist. Edition: Unique. #umbraIPCNY

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